[vc_row][vc_column][vc_custom_heading text=”NEW METAL-ACETATES.” font_container=”tag:h2|text_align:center” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20regular%3A400%3Anormal”][vc_custom_heading text=”THE NEW METAL-ACETATES: 1429 and 1427. ” font_container=”tag:h5|text_align:center” google_fonts=”font_family:Old%20Standard%20TT%3Aregular%2Citalic%2C700|font_style:400%20regular%3A400%3Anormal”][vc_row_inner][vc_column_inner width=”1/6″][/vc_column_inner][vc_column_inner width=”2/3″][mk_gallery images=”31951,31956″ column=”2″ image_size=”full”][vc_column_text]
Once again, J.F. Rey found a pretty creative way to combine metal and acetate with each other. What way that is, you may ask? Well, Jean-François Rey focuses on the cutting of acetate and the sculpting of an astonishing geometry with breaks of the materials. That way, he creates a new graphic balance by unfolding the metal and redrawing the aesthetics of the frame. Underlined is the whole concept by a very personal choice of color that emphasize elegance and purity of the design. Well done, Monsieur Rey!
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